DEVIN FARRAND

DEVIN FARRANDWALK ME HOME

February 24 - April 6, 2024
LOS ANGELES, CALIFORNIA

OCHI is pleased to present Walk Me Home, an exhibition of new work by artist Devin Farrand. This is Farrand’s third solo exhibition with the gallery. Walk Me Home will be on view at OCHI, located at 3301 W Washington Boulevard in Los Angeles, California from February 24 through April 6, 2024. An Artist’s Reception will be held on Saturday, February 24th from 4:00 to 7:00 PM PST.

Ethereal, luminous, contemplative, and timeless, the works presented in Walk Me Home consider the physical spaces and cognitive distance between the artist’s two studios: a remote cabin in the Pioneer Mountains of central Idaho and a warehouse in the vibrant yet chaotic urban landscape of Los Angeles. Driving back and forth with the seasons, Farrand finds introspection and influence in the vast array of open expanses—spaces that appear absent of humans yet alive and flourishing with wildflower patches, streams, wildlife, and the smallest traces of passersby, all vibrate under panoptic skies. Living between these two extremes has captured Farrand’s imagination and focus.

Thinking of one environment while moving through another, Farrand cultivates his position on the horizon—an idea of a place that can never be reached yet engenders endless possibility. Placed with cadence throughout the gallery, each of Farrand’s Horizons consist of stacked horizontal plates that evoke a landscape without rendering one. An abstraction of land and sky, near or far, dusk or dawn—is created when anodized aluminum fields of brilliant blues, evergreens, sunset yellows, or cornflower purple petals are anchored by the rainbow reflections of yellow zinc plated or polished black steel. Sometimes sandblasting atmospheric energy or windswept marks onto one half or another, Farrand’s Horizons realize the sublime through juxtapositions of matter.

At the center of Walk Me Home, surrounded by a garland of Horizons stands a welded steel fence post—a transposition of an artifact carried back from traversing across land stewarded by the Bureau of Land Management. Fixed points that zig zag through the landscape, fences are made from the simplest means to outline space or property. On long drives in or out, Farrand watches wooden posts repeat rhythmically—unremitting markers of time and location, graced by idiosyncratic characteristics like twists, nails, knots, indentations, or splinters. Farrand’s homage to these posts is modeled after one he salvaged on a hike and is accompanied by a second sculpture—a soapstone beer can resting atop a marble salt lick. As the landscape breaks down  markers of boundary and weathers cans left behind, the cows on the open range lick a perfect block of salt down into curvaceous hollowed forms—in the ethos of erosion, Farrand carves away parallel objects from stone. Ambient and angular, these two sculptures form a fulcrum amongst the infinite Horizons.

Devin Farrand (b.1986, Salem, Oregon) received an MFA in Ceramics from the Cranbrook Academy of Art, a BS in Art from Eastern Oregon University, and currently lives and works between rural Idaho and Los Angeles, CA. Farrand’s work has been exhibited nationally and internationally at venues including Casa M+B in Milan, Italy; Ibid Gallery in Los Angeles, CA and London, United Kingdom; Good Weather Gallery in North Little Rock, AR; Gallery Vacancy in Shanghai, China; BBQLA in Los Angeles, CA; New Release Gallery in New York, NY; Gallery Kornfeld in Berlin, Germany; Piasa in Paris, France; and OCHI in Los Angeles, CA and Sun Valley, ID. Farrand’s work can be found in public collections including the Burger Collection in Hong Kong, China; Sishang Art Museum in Beijing China; SoHo House in Malibu, CA; New Taipei City Yingge Ceramics Museum in Taiwan; Mercedes-Benz Financial Services in Farmington Hills, MI; Nightingale Gallery at Eastern Oregon University in La Grande, OR; and Archie Bray Foundation in Helena, MT. Farrand is represented by OCHI.

 

 

A sandblasted, deep lavender plate of anodized aluminum sits above a sandblasted plate of yellow zinc plated steel, within a frame of the same steel. The works overall dimension is almost square and the top plate is about twice the height of the bottom one. The yellow zinc plated steel below has sporadic and expressive sandblasting marks throughout and the whole piece reflects ambient light.A flat, light green plate of anodized aluminum sits above a sandblasted plate of yellow zinc plated steel, within a frame of the same steel. The works overall dimension is almost square and the top plate is about twice the height of the bottom one. The yellow zinc plated steel below has horizontal cloud like sandblasting marks and the whole piece reflects ambient light.A flat, deep red plate of anodized aluminum sits above a sandblasted plate of yellow zinc plated steel, within a frame of the same steel. The works overall dimension is almost square and the top plate is about twice the height of the bottom one. The yellow zinc plated steel below has cloud like sandblasting marks in its center in a very light triangular shape and the whole piece reflects ambient light.A to-scale steel sculpture that resembles a weathered fence post.A carved marble sculpture resembling a salt lick and a carved soapstone beer can sit atop a wood pedestal.A circle cut from marble is nested within a plate of blued steel. The steel has sandblasted marks that extend the marble's natural lines past its edges and into the steel. They also resemble mountains in the distance.A metallic green plate of anodized aluminum with diagonal and very light sandblasting marks sits above a plate of yellow zinc plated steel within a frame of the same steel. The diagonal sandblasting marks on the top plate are light and airy and reflect ambient light. The bottom plate also has light horizontal sandblasting marks which reflect ambient light.A clear blue anodized plate sits above a plate of yellow zinc plated steel with sporadic and expressive sandblasting marks. The two plates are framed in yellow zinc plated steel.A blue/pink plate of anodized aluminum sanblasetd with cloud-like marks sits above a blued steel plate with similar sandblasting. In the top right corner there is a darker spot of blue that resembles a moon. The ambient light that reflects off this piece changes the brightness and tone of certain areas.A deep blue plate of anodized aluminum with cloud-like sandblasting marks sits above a blued steel plate within a blued steel frame. The blued steel is a very dark grey color with a hint of blue, and is sandblasted with light horizontal marks.A light pink plate of anodized aluminum with cloud like sandblasted marks sits within a yellow zinc plated steel frame. Nestled within the same frame is a plate of yellow zinc plated steel with slight horizontal sandblasting.A bright purple plate of anodized aluminum sits within a yellow zinc plated steel frame. Nestled within the same frame is a plate of yellow zinc plated steel with slight horizontal sandblasting.