Building upon a unique visual vocabulary of thread, paint, and wood, Brian Wills makes work that evokes experiential understandings of line, color, space, and object conceptualized in alignment with minimalist abstraction, the subversive history of the monochrome, California Light & Space, and other art historical paradigmatic shifts. Singular strands of thread are delicately wrapped around wooden substrates, eventually creating surfaces that appear to vibrate and shift depending on available light, thread density, the architecture of the panel, and the motion of the viewer. Wills is acutely aware of the mechanics of perception—the visual cortex interprets received visual data in the form of color, motion, texture, and depth. When exposed to pattern, the brain extrapolates as it habituates, and Wills creates and breaks patterns to emphasize intuition and draw attention to methods of construction. Engaging with one’s own perception is always a gift, offering moments of joy, wonder, and self-reflection—in other words, investments in observation are rewarded handsomely.

Brian Wills (b. 1970, Lexington, KY) received his BA from Denison University, his MA from Harvard University, and his JD from Harvard Law School. Wills’ work has been exhibited at numerous galleries internationally including TOTAH, Nyehaus, and Joshua Liner Gallery in New York, NY; Galerie Michael Janssen in Köln, Germany; Praz-Dellavallade in Paris, France, and Los Angeles, CA; Quint Gallery in La Jolla, CA; Gavlak Gallery in Palm Beach, FL; and OCHI in Los Angeles, CA and Sun Valley, ID. In 2010, Wills work was featured in Swell: Art 1950-2010, a survey of Californian Light & Space and Finish Fetish artists that took place simultaneously at Nyehaus, Metro Pictures, and Friedrich Petzel Gallery in New York. Wills’ work has been included in exhibitions at museums and institutions including Underground Museum, Frederick R. Weisman Art Foundation, and Torrance Art Museum in Los Angeles, CA; Museum of Contemporary Art in San Diego, CA; Huntington Beach Art Center in Huntington Beach, CA; and Carnegie Art Museum in Oxnard, CA. Wills’ work is part of numerous public and private collections including The Jarl Mohn Family Foundation in Los Angeles, CA; Palm Springs Art Museum in Palm Springs, CA; The Estee Lauder Collection in New York, NY; and Fundación/Colección Jumex in Mexico City, Mexico. Wills lives and works in Los Angeles, CA.

EDUCATION

1996

SSP, Harvard University, Graduate School of Arts and Science, Cambridge, MA

1996

SSP, Harvard Law School, Cambridge, MA

1992

BA, Denison University, Granville, OH

SOLO & TWO-PERSON EXHIBITIONS

2023

Radium, TOTAH, New York, NY

2022

Brian Wills, OCHI, Los Angeles, CA

2018

, Parisian Laundry, Montreal, Canada
, UNTITLED, presented by OCHI, San Francisco, CA

2017

Texture/Pattern, Quint Gallery, San Diego, CA
Line + Light, Praz-Delavallade, New York, NY
, The Armory Show, presented by Praz-Delavallade, New York, NY
Transient, with Helen Pashgian, TOTAH, New York, NY

2016

Brian Wills and John McLaughlin, Quint Gallery, La Jolla, CA
New Works, Praz-Delavallade, Paris, France

2015

Brian Wills and Molly Larkey, OCHI, Ketchum, ID

2014

Seemingly, Quint Gallery, La Jolla, CA
Strength of Illusion: Line and Light, with Laddie John Dill, Dominique Fiat, Paris, France

2013

Oscillations, Nye + Brown, Los Angeles, CA
Wow and Flutter, OCHI, Ketchum, ID

2012

Unwound, Nye + Brown, Los Angeles, CA

2011

New Works, Karl Hutter Fine Art, Beverly Hills, CA
New Works, Nyehaus, New York, NY
, Karl Hutter Fine Art, Beverly Hills, CA

2009

, Barbara Davis Gallery, Houston, TX

2008

, Gallery Min Min, Tokyo, Japan
String Theory, The Happy Lion, Los Angeles, CA

2006

, The Happy Lion, Los Angeles, CA

SELECTED GROUP EXHIBITIONS

2024

Coping with Paradise, OCHI, Sun Valley, ID

2021

Expanded Field, OCHI, Los Angeles, CA
An Imprint of the Smalles Gesture, OCHI, Sun Valley, ID

2019

The Edge of Light: Historic and Contemporary Perspectives on California Abstraction, curated by Peter Blake, Huntington Beach Art Center, Huntington Beach, CA
The Sound of Silence, Praz-Delavallade, Los Angeles, CA
Inclined to Blur at the Edges, OCHI, Sun Valley, ID

2018

Does It Make Sound, OCHI, Sun Valley, ID
I Dream My Painting and Then I Paint My Dream, UNIT 5, Los Angeles, CA
, Joshua Liner Gallery, New York, NY
Woven, curated by Mia Romanik, Rental Gallery, East Hampton, NY

2017

I Love L.A., Praz-Delavallade, Los Angeles, CA

2016

Un-Structure, OCHI, Los Angeles, CA
Cosmic Connections, TOTAH, New York, NY
What's Up?, curated by Lawrence Van Hagen, Soho Review, London, United Kingdom

2015

Tenth Anniversary Show, Gavlak Gallery, Los Angeles, CA + Palm Beach, FL
Up to and Including the Horizon, OCHI, Los Angeles, CA
An Aesthetics of Slowness, Dorsky Curatorial, New York, NY

2014

Blessed Oblivion, Gavlak Gallery, Palm Beach, FL
Veils, The Underground Museum, Los Angeles, CA
The Value of a Line, OCHI, Ketchum, ID

2012

Summer of Jack: Jack Brogan, Catherine Cone Gallery, Culver City, CA
California Art: Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, CA

2011

Lords & The New Creatures, Nye + Brown, Los Angeles, CA
I Don't Know Where But She Sends Me There, Royale Projects, Indian Wells, CA
What's New Pussycat?, Torrance Art Museum, Torrance, CA
Gray Day, Roberts Projects (formerly Roberts and Tilton), Culver City, CA
Swell: Art 1950-2010, Friedrich Petzel Gallery / Metro Pictures / Nyehaus, New York, NY
Bubble and Squeak, The Happy Lion, Los Angeles, CA
Paintings and Sculpture, Marine Projects, Venice, CA

2007

Themes and Variations: New Abstraction in Los Angeles, Torrance Art Museum, Torrance, CA
Fleeing the Scene, The Happy Lion, Los Angeles, CA
California Art: Selections from the Frederich R. Weisman Art Foundation, Bel-Air, CA
Consequence, Museum 52, London, United Kingdom

2005

Sight Lines: Recent Work from Los Angeles, Galarie Michael Janssen, Köln, Germany

2004

Sight Lines, The Happy Lion, Los Angeles, CA
Scope Los Angeles, Scope Circle Committee for Emerging Art, Christies, Beverly Hills, CA

2003

What a Painting Can Do, Hayworth Gallery, Los Angeles, CA

2002

Optics, Gensler, Los Angeles, CA
, Museum of Contemporary Art, San Diego, CA

SELECTED BIBLIOGRAPHY

2023

“Must See: Brian Wills, Radium at TOTAH", Artforum, Apr

2022

Gerwin, Daniel. “Abstractions Inspired by Light and Space are an Exciting Perceptual Experience," Hyperallergic, Feb. 27
Moïsi, Laurent. “Brian Wills," Whitewaller, Feb. 23
Bowie, Summer. “Brian Wills presents new wall works at OCHI in Los Angeles," AUTRE, Jan. 31

2020

Chassepot, Beatrice. “#stayhome: FOCUS at Praz-Delavallade with Brian Wills," Be Art Magazine, Apr. 13

2017

Nys Dambrot, Shana. “Brian Wills: Line Light," Artillery Magazine, Nov. 7
Hudson, Suzanne, Artforum
Drohojowksa-Philp, Hunter. “Julian Stanczak and Brian Wills," KCRW Art Talk, Sep. 28
Madlener, Adrian. “Brian Wills’ Line + Light," TL Magazine, Sep. 23
“The 20 Best Booths at The Armory Show," Artsy, Mar.

2015

Schreil, Christina. “Illusions of Grandeur," QBoro Magazine, 2015

2014

Buscemi, Lauren. “Brian Wills: Artist Profile," Art Ltd Magazine, Jul./Aug.

2013

Knight, Christopher. “Brian Wills Shows His Invigorating Stripes at Nye + Brown," Los Angeles Times, Dec. 5
Shaw, Michael. “Brian Wills," Artscene, Dec.

2012

“Peter Alexander, Brian Wills," Modern Painters, Apr.
Frank, Peter. “Brian Wills," Huffington Post, Feb.

2011

Turvey, Lisa. “Brian Wills," Artforum, Feb.

2010

Knight, Christopher. “A Gray Area Marks the Mood," Los Angeles Times, Nov. 26

2009

Klaasmeyer, Kelly. “Cool Threads," Houston Press, Dec. 2009

2008

Vansiel B. “Art Scene: West Coast Artists Brighten Dog Days of Summer at Providence’s 5 Traverse Gallery," The Providence Journal, Aug. 14
Nys Dambrot, Shana. “Brian Wills: String Theory," ArtReview, Jun.

2007

Knight, Christopher. “45 Painters Under 45," Los Angeles Times, Dec. 2
Frank, Peter. “Themes and Variations at the Torrance Art Museum," Artweek, Dec.

2006

Buckley, Annie. “Brian Wills at The Happy Lion," Artweek, Sep.
Myers, Holly. “Complexity from a Familiar Formula," Los Angeles Times, Jul. 14
"The Art Universe", Vanity Fair

2005

Funke, Claudia. “Neues von der Westküste," Kölner Stadt-Anzeiger, No. 64

2004

McGovern, Thomas. “Sightlines at The Happy Lion," Artweek, Sep. 2006
Myers, Holly. “Extending off into the Horizon," Los Angeles Times, Jun. 18

SELECTED COLLECTIONS

Palm Springs Art Museum, Palm Springs, CA

Fundación / Colección Jumex, Mexico City, Mexico

Frederick R. Weisman Foundation, Los Angeles, CA

The Estee Lauder Collection, New York, NY

The Jarl Mohn Family Foundation, Los Angeles, CA

The Progressive Corporation, Mayfield Village, OH

The Beth Rudin DeWoody Collection, Los Angeles, CA

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