Twilight, 2024
Oil, acrylic, colored pencil, graphite, pigment print, and waxed thread on canvas
72 x 95.5 in (182.9 x 242.6 cm)
Weeping Spruce, 2024
Oil, acrylic, and pigment print on canvas
56.5 x 43 in (143.5 x 109.2 cm)
Butterfly Pavilion, 2024
Oil, acrylic, and pigment print on canvas
37.25 x 25 in (94.6 x 63.5 cm)
Benjamin Langford’s practice explores the idea of nature after the “death of nature.” Utilizing a romantic, pictorialist approach, he breathes life into scenes that could be considered corrupted or impure experiences of nature. These scenes range from dioramas in museums, butterfly greenhouses, falling trees in an arboretum, animals in a zoo, or the twisting branch of a deadened bonsai. In his analytic, anthropologically-charged landscapes, Langford’s images present precarious illusions - controlled naturalistic environments bred for the public’s consumption. Rather than sublime and virgin forests, his pictures transcribe the world that exists when the wilderness has gone.
Benjamin Langford (b. 1992, Connecticut, USA) received his BFA from Rhode Island School of Design in Providence, RI. His work has been exhibited at venues including Special Special, Fu Qiumeng, and The Meeting in New York, NY; Megan Mulrooney in Los Angeles, CA; Baader-Meinhof in Omaha, NE; and OCHI in Sun Valley, ID. Langford’s exhibitions have been featured and reviewed in publications such as Artforum, Harper’s Bazaar, Wallpaper, Paper City Magazine, and Fräulein Magazine. Langford lives and works in Brooklyn, NY.
EDUCATION
2014
BFA, Photography, Rhode Island School of Design, Providence, RI
SOLO EXHIBITIONS
2025
2023
2022
2020
2019
2018
SELECTED GROUP EXHIBITIONS
2024
2021
2018
2017
2016
2015
2014
SELECTED BIBLIOGRAPHY
2025
2024
2023
2022
2020
2019
2017
2015
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Benjamin Langford
Face to Face: October 2025
Impulse Magazine
October 31, 2025
LINK